
By winter there were water marks on the walls and blue light filtering through every room, and each wavering breath she took was as salty as tears...






I haven't posted in a long time, I've been thinking a lot about my work recently; how it exists. I've been trying to move the narratives into tangible objects, attempting to make the ethereal visible...
I have discovered that this is more difficult to do in the imposed white spaces of the university studios, in the heart of the city in the old co-op with its deco staircases, warehouse sized spaces and antique, all but destroyed, ballroom. The old has been stripped from these places, the quiet ripped out or painted over, the old building faces one of glass and steel. The road becomes motorway right outside our door. Nothing is still.
Slowly, very slowly that light made its way through the rooms until all that once meant something started to fade away...
This is another experimental set up, the same narrative as above, on the plinth and moss planted in the glass urn. Again it needs development but I want to move on from just images, I need something more tactile... To create an interplay between the image, text and object.
"snow! Wonderful Snow! Don't you wish you could roll about in it like dogs?!" -Jo March, Little Women.
Its snowing! Yesterday morning I woke up and my world was painted white. Its surreal it melts to reveal orange and gold autumn leaves. I've always loved snow, its like a pause, like catching your breath or a blank page in a new notebook, and then its gone... close your eyes, breath deep and life moves on.
This is part of an inspiration line for the Twelve Wild Geese project, Aran knits and woven bog cotton. In college I am currently printing the Fairy Tale, My fairy Tale, onto the wall, letter by letter, with tiny stamps and ink. Its taking a long time but I love it, I'm surrounded by words and ink, getting lost...
Today I love toast and jam, knitted jumpers and Autumn snow. Today the woman I am has ink on her fingers, stars by her veins and frost in her hair. Her house smells like ice and peat smoke and it feels strangely like home.




I've been watching the apples change, and much prefer this image to the earlier greener one. I love the colours of autumn but my narratives have been so summer based I'm worried about how to take them through into autumn and winter, but I'll let it go, just keep taking photos and see where the narrative takes me.
That Autumn the trees were laden with fruit, each one bitter and hollow, the cakes made from them needed ladles of sugar, and still they caused dreams so deep and murky that even the bravest feared drowning... 


This is an sx-70 the one I'm after, this image from "Polaroid of the day", its a beautiful camera, folds down and tucks away. I've been shopping around, on ebay mainly, fingers crossed I'll pick one up soon.
He bought her a house in the woods and tea with flowers in the morning when she woke...



As the storms rolled in that spring the apple blossomed early, its fresh scent rose in waves drawing schools of rosy salmon into the shallows, and when they were cut open their bellies were full of bones and buckles, pearls and rings, and lost souls that settled right on the sea green slabs of the harbour. They clung to the salt and seaweed on the men’s boots and travelled home with them, settling in on the garden paths and in the branches of those apple trees...
I wrote the above narrative a long time ago, it was just waiting in one of my many notebooks, and so when I photographed the pearls it just seemed perfect. What is interesting me with this one is the mnemonics, I seem to be unconsciously triggering myself to progress the narrative..


They say the human soul weighs a mere 21g. The weight of a life boiled down to something you could hold in the palm of your hand. Something you could measure out or put away in storage jars, in the back of your cupboard between the flour and the cake tins...
That was the year she planted the roses. At least three per meter. Each one so vigorous it could have taken over the cottage wall all by itself. She planted thirty. So closely packed she could have climbed to the sky. Or perhaps she thought they would wrap around the house, that they would close off the windows and doors, choke out the sunlight like a weed and time would last a little longer.
Spring washed into summer with torrents of deep-green rain. It beat on the windows and doors and bounced off the paths like broken glass. The house was mostly empty and so the vines were free to creep along the fence, over the walls and into the very bones of the building and there they waited…
The swallows came late that summer. They circled for weeks before settling in; they were nervous and fidgety, abaonding their first nest. That should have been a sign. Count the swallows flight, stitch blue thread into your hem and stay close to home...
For weeks the light in the house was golden; a heavy, dark gold and the smell of those roses got everywhere, as if they were in the very walls and under her skin. No amount of lavender and sea salt could shake it just as no amount of drizzle cake could pacify the bees in the garden. All through the following winter the honey for miles would taste of roses and years later women would swear that a honeyed rose would cause dreams of love...
I'm an art student, embarking on my final year, I'm a photographer, storyteller and weaver, but thats just this week... :)
I love light, and beautiful things, and that sound my camera makes when I take a photo amoung other things.
There are so many stories to be told, and my mind is full of them, here I hope to share them and grow my work, any feedback is more than welcome.
Siobhan.